Baseball Toaster was unplugged on February 4, 2009.
Man, oh man, oh freakin' man.
I don't know how to express how good tonight's episode of Lost was.
I gotta say, and I've been feeling this all season, I am so happy for the producers of this show. They have taken so much crap from people questioning whether they can continue delivering a good show - as if they didn't deserve any faith for delivering the good show that made everyone so engrossed in the first place.
No, every episode was not pitch-perfect - there was a run of episodes that I watched passively, rather than on the edge of my seat like the ones over the final weeks this season - but that wasn't at the heart of the criticism. People doubted that the showrunners had a plan; they doubted that they had a clue. The level of impatience directed toward the show was through the roof.
I'm not denying people have a right to feel that way, but this wasn't like Cheers going off the rails as seasons progressed by not being as funny anymore. There was this widespread assumption that Lost had set up this mystery and hadn't given any serious thought about where to take it. People didn't just worry that it wouldn't be satisfying at the end - they also worried that the producers were just ad-libbing it. It amazed me, and yet you'd see it everywhere.
Turns out, Lost still is a masterpiece. It has given us the greatest character-driven mystery-adventure of our time.
Friday Night Lights was my favorite drama this season, and The Sopranos is spellbinding as it heads toward its oxymoronically violent-elegiac conclusion. But there weren't two hours of television this season that were as rip-roaring thrilling as tonight's Lost.
I think I went to cloud nine when Hurley came roaring out of the trees in the VW, because not only was just a perfectly designed rescue scene, but it validated so much of what the producers did this year. So many thought the episode with Hurley and the van was a waste of time. Some people didn't enjoy the episode on its face; some people, like me, did. But most people thought it was just a one-off, a stall tactic from producers who were out to sea, 80 miles offshore. But as it turned out, it was yet another example of the producers laying pipe well in advance of future payoffs - first with Ben's father, then with the rescue.
Perhaps I'm writing too angry when I should just be celebrating, but I just got so tired of defending the show. I just could never wrap my head around the lack of faith.
So before I go too far, let me take a breath. Let me forgive it. Assuming I have the right to forgive - I mean, who the hell am I? We're all human, as Lost reminds us each week, and faith is hard. Maybe I'm right to be worked up, maybe I'm wrong - but in the end, I'm just so damn pleased about how things turned out.
When I saw Jack in the opening scene, I thought we were in the future. I thought the first big twist of the season finale was that instead of a flashback, we were flashing forward. Jack just looked older. I didn't think that he had gotten bloated before the crash and then lost the weight. And with Heroes having flashed forward a few weeks ago, the concept was fresh in my mind. We were getting a glimpse of what might come.
But then, when they went to the island in real time, I decided I was wrong. It was a flashback, and we'd run the usual course.
In those first few minutes on the island, I reflected on how invested in these characters I am. Even the ones who have grown a little idiotic, like Kate, I am so invested in. Their quests, both individually for their souls and collectively for their rescue, feel important to me. The parting scenes between Bernard and Rose or Jack and Sayid could have been out of a '40s war film, but they touched me.
Meanwhile, the alarm in Ben's camp, springing from the capture of Charlie in the Looking Glass, ratcheted up the tension. (I loved Bonnie (Tracy Middendorf, veteran of the first episode of Angel), by the way - she was the sexiest all-business soldier I've seen in a while.) Dominic Monaghan continued his triumphant performance from last week's episode, and Michael Emerson, as much as ever, showed us the wheels turning in his brain like a Formula 1 car.
The ambush attempt, Mikhail and Desmond joining the underwater fray, it was like great speed chess, except a dummy like me could follow it.
Sawyer's anguish over killing his father and his inability to communicate it (or for Kate to drag it out of him) felt so right. And Juliet was a wonderful foil.
And I was completely sold on the almost back-to-back scenes of Juliet kissing Jack and Jack telling Kate he loved her. The love quadrangle.
But the episode headed into orbit with the showdown between Jack and Ben, with Jack not caving in, knowing what was at stake, and then actually feeling like it backfired on him with the apparent deaths of Jin, Bernard and Sayid. I didn't believe for certain they were dead - nothing's too certain on this island - but it was more than plausible. It was hardcore. You could immediately feel Jack's misgivings. His preservation of Ben's life in the aftermath was a little Bondian, but aside from the desire to make Ben witness his failure, I feel that Jack is a little afraid to kill Ben - that keeping Ben alive is almost like punching the numbers in every 108 minutes. You just don't know what you're messing with.
That brings us to the Hurley rescue, which was priceless - punctuated by Sawyer's new nickname for him, "Hero." The killings of Tom and the other two Others were brutal, as they stood in opposition to the three of them at least temporarily preserving Jin, Bernard and Sayid's lives, but Sawyer, who probably wanted to do anything but kill again so soon, had the perfect retort about Tom's surrender: "I didn't believe him." It was no longer time to mess around. I think you're meant to feel a little bit for the Others, who were beginning to question Ben, but there is the aspect of paying for their crimes in this cutthroat world. And they did kidnap Walt, after all. I mean, just from that one scene, so much to think about.
Lost continued to mix in some lighter moments with the high stakes. Beaten-up Ben's almost annoyed introduction of Alex to her mother, Danielle, was a hoot. In the Looking Glass, Charlie's eyes were alive.
Ah, Charlie ...
Charlie was a character some struggled with, but he truly transcended these final two weeks. And again, there was the perfect melding of character and plot development in Charlie's final moments, when he takes down the jamming system, talks to Penelope, learns the unfortunate truth twice over. (Penny doesn't know Naomi, and Mikhail is outside with a grenade.) It was a heartbreaking but fond farewell to yet another hero.
And so we come to the final scenes - Naomi making the call, Locke killing her with a knife and threatening Jack with his life if he doesn't put the phone down. I felt strongly Locke wouldn't be able to kill Jack, but I did think he might shoot the phone out of his hand, and begged Jack to hold it better than Wendell Tyler carrying the ball on a sweep. But instead, the call came through. And though we kept waiting for the other shoe to drop, it wasn't going to.
Flash-forward, and we are led to believe we are looking at a post-rescue Jack. And then a post-rescue Kate. And one is begging the other to go back to the island, insisting - as Ben predicted - that their departure was a mistake.
And a newspaper clipping that shows one tangible mystery to go with the intangible ones.
It's a bold and brilliant gambit. It does what the show does so well - opening up another world. And I just have to conclude by saying, I have every reason to believe the final three seasons of Lost will continue to be a great ride. I cannot wait until February.
As opposed to the flashbacks of the first 3.
I really liked tonight's show.
Is there any way that the viewing Jack went to could be anyone other than Sawyer? Kate did say "he will start to wonder where I am", but I think the dead guy has to be Sawyer.
But you know, in the Lost world--you can never be sure if you're actually dead.
Apparently, nothing can kill Mikhail. Harpoons, bullets, magnetic forcefields...he's indestructable. Strange how nothing can kill him, and yet he did lose an eye once.
I think Jack has survivor's guilt of some sort, and thats why he turns all suicidal/drug addicted in the future.
Something tells me the first 3 season were flashbacks, the last 3 will be flash forwards, and the very last series finale will be Jack/Kate somehow mysteriously returning to the island and not leaving.
That's certainly some high quality drug seeking scamming. I don't know. Maybe he's dead. Maybe not.
Producers would never lie ; )
They did a nice slight of hand with the reference Jack made to his father (while pilfering Oxycodone). It could have meant anything.
And they did an excellent job making Desmond's vision come true with suspense, and leaving us on the edge of our seats because it is clear that Naomi and her boat are not connected to Penny, after all!
[How about the Walt cameo? They can't bring him back, full time, since only 30 days have passed and the actor appears to be about a foot taller(!)]
I can't believe we have to wait until January!!!!
That is the most depressing aspect of this show.
They just delivered perhaps the best two hours of television this season, and people are still nervous about what the producers will do?
Those guys can't catch a break, I swear.
Worst would be buried alive, just bc it seemed pointless.
Overall, excellent season.
Hope they bring the entire cast (including Charlie) back for season 4.
But yeah, Christian Shepard is most likely dead.
Caskets tend to come in two sizes: regular and small. The small ones are used for infants.
We have a pretty good idea that the funeral is for someone who lives in South L.A. The likeliest option for that would be if Walt ended up back there, but he never lived in Southern California I believe.
And Walt wasn't all that short as we could see from his appearance with Locke.
A typical casket, from sources I saw online, is seven feet long.
There are caskets for infants which range in length from 18" to 54". I've been to funerals for people who were pretty short and they ended up with the regular 7 foot casket.
Was Walt known to have some kind of special ability during season 1? I vaguely remember something about that but can't remember.
1) burn up the first raft
2) wish up things from his imagination
Other than that, he seemed fine.
Best part is feeling confident that all the the loose-ends will be tied at some point in a brilliant way.
Just seems like the type of thing I ought to know.
Sayid is so badass.
Someone on another forum pointed out that technically, in this episode at least, the island portions were the "flashbacks"... there wasn't necessarily a flashforward. That might be just being pedantic, but I kinda like the concept.
As to knowing what "happens"... there are two important points to make:
- knowing how something ends isn't necessarily a killer.... finding out HOW you get there is the fun part. (Babylon 5 showed the end of its show in the very first episode... but by the time you finally got to how it all happened, it had a very different meaning than when you first saw it).
and
- who's to say this future is set? It might be "a" future, or even an alternate reality or two: the fact that Naomi claimed Oceanic 815 went down in the ocean, for example. Or even Desmond's "visions" (which now might have to be considered "memories").
Great stuff.
And a final add about the casket.
They always look smaller than you think. Just like if you go to a cemetery and see the hole.
It's a matter of perspective.
I Wikipedia'd the Walt character, and he is implied to have special powers of some kind. His stepdad was afriad of him (which is one reason he gave up custody), Locke thought he had some nebulous "potential", and Ben remarked that the Others got "more than they bargained for" with Walt.
I expect we'll see much more of Walt in season 4 and beyond.
This season's ending of "Lost" is not going to stick with me as much as the ending of "The Office."
I don't think it was worth the risk, for him, to try and make it out alive. Whatever it takes for Claire to get off the island. He didn't want to take any chances. At least, that's how I read it.
I wish Charlie would have been this great the entire series. But I guess this was his journey. Maybe he had to be what he was in order to become the hero.
As for Locke and Naomi, we don't know what Locke found out between his vision of Walt (was that really "Jacob") and when he killed Naomi. He could have found out alot of info about what was going on with Naomi's ship. (Though I was saying to myself, if you don't want Jack to make that call Locke, explain to him the reasons)
If the flash forwards are going to be the norm it will be very interesting to see how they handle them. Any future deaths on the island won't have a flash forward obviously. And the brilliant bit to me is that with Jack gone completely off the deep end, this show has a decidedly not-happy ending.
7 Others got dynamited at the beach
3 Others were run over, neck-snapped, or shot, including Tom
2 women at the underwater station were shot
1 Mikhail blew himself up with a grenade (unless he's invincible)
1 Charlie drowned
1 Naomi was killed by a thrown knife
(1) unknown Lostie dies in the future
So, 15 people died not counting the person in the casket? Is that right?
54. I was thinking something along those lines, especially if, as the producers said this really is a game changer. The rest of the show consists of current day characters having flashbacks to the island after this happened and their attempts to get back to the island and deal with the aftermath. If this is the case, I hope they do it better than "The Nine."
Oh, I know Charlie felt like he had to die for it all to happen, but why didn't he just swim out the hole after it filled up? Couldn't let that one go.
I loved this episode!
As for the coffin, after years of watching Six Feet Under, I never got the sense that coffin size was that big an issue.
Initially I thought it was Sawyer, but then I thought the man Kate referred to was Sawyer. But somehow, I still saw Kate ending up with either Jack or neither of them. I didn't think Kate would be with Sawyer in the end.
I don't know - good mysteries.
I think the U.S. is the new island that Jack will want to get off of. He needs rescue off the island. He and whoever will join him will go back to the old island and try to fix themselves and solve Jacob. And wherever they are, we'll see flashes to where they are not.
And by the way ... poor Claire.
One thing that has crossed my mind this morning was the scene from last year's season finale where man who looked an awful lot like Jack with a beard reacted to the signal of the electromagnetic charge. This is admittedly far-fetched, and I know he wasn't speaking English, but I wonder if there's a chance that was a flash forward of Jack trying to get back on the island.
If you think about it, the show is going off the air in 2010, six years after the crash. For what that's worth.
66 - I think they said at once point that Juliet had been on the island for three years, which I may be misremembering. Also, they showed that footage of her sister and nephew being alive - how old was the kid then?
http://lost.cubit.net/forum/gallery/1_24_05_07_1_13_56.jpg
Juliet's sister, whom I just refer to as a Calamity Jane, was playing with a child old enough to walk and run around I believe.
The wonders of 1080 HDTV.
Keeping with the Locke/Rousseau theme, the name is likely Jeremy Bentham.
http://www.spartacus.schoolnet.co.uk/PRbentham.htm
But how cool is that?
Plus, Aaron is about three months old on the Island, and the saved boy is reported as being 8 years old. That would mean that close to 8 years had passed. That's not specifically contridicted by anything, it just seems inconsistent.
I'm going to have to watch it again, since I thought for sure they mentioned the name of the woman he pulled out of the car.
Jack's car by LAX has an August registration tag, but no year.
"The body of J____ _antham of
New York was ______ shortly after 4
a.m. in the _______ of Grand
Avenue.
____ ________ ____ ___man at The
Th____ _____ _____ loud
_____ _______ _______ _(ant)ham's loft,
______ _____ ______ ______ _______
_____ ____ ______ (cov)ered the
______ ____(from) a beam in the
_____ ______"
I suspect that whoever this guy is, he hanged himself, which did not sit well with Jack.
My interpretation was that "Walt"/Jacob/crazy smoke monster gave Locke very explicit instructions about killing Naomi and not telling Jack any more than he did. Ben's behavior suggests to me that one must give themselves to the island freely, which explains why both Ben and Locke are reluctant to try and use their privileged information to bring others to their side.
It felt like the flash-forward was no more than a year or so ahead of present-day time. That said, I was snookered too -- I didn't guess until the end. Some of you are smarter than me. But I watched the key scenes of the episode again after the first viewing and that is what it seemed like to me. Some details like Jack's ex-wife still being listed as his emergency contact seem to support this.
I don't think Charlie needed to die based on the situation -- it really played like he had tons of time to walk out, slam the door closed, and seal it from the other side -- but in his own way that was him giving himself to the island. Only by following Desmond's vision to the letter could he guarantee Claire and Aaron's rescue.
I was a little thrown by the body count. All those fatalities, and hardly any of them were significant characters, except for Charlie, who we've been told was going to die for months. But at least it supports my notion of Ben hanging his current Others out to dry in order to replace them with the Oceanic survivors (which is why he can't allow them to leave, as he tersely informed Alex). But what of Nestor Carbonell, who is apparently immortal, and Mikhail, who is apparently invulnerable?
Desmond's visions support that a rescue is immediate. But a few survivors are going to stay behind, I suspect.
My very brief thoughts here:
http://tinyurl.com/22rpkm
Jon and the rest of you have enunciated more, but one thing I noticed that may or may not have been mentioned is what appeared to be the absolute loathing Kate had in her voice when she asked Jack why he thought she'd attend the funeral. So who is/will be so hated among the group that not one of them would show up?
Another thing that I keep thinking about is how this "rescue" that appeared to be in motion might not actually get them off the island. From the flashforward, we all know they get off the island, but did we ever question that? My guess is that this rescue mission isnt going to work out as we expect and they are going to get rescued another way.
I definitely enjoyed this episode but I think knowing that there is a finite number of episodes remaining helped.
88 - I think there's as much possibility that the rescue is immediate as there is that it won't be.
- It could be Claire, with the boy being Aaron, and the flash-forward being 8 years in the future
- It could be Juliette, perhaps having adopted her sister's son and remarried to Mr. Arlen
- It could be Juliette's sister, now married or with partner
- It could be a character we have yet to meet
Ah, the many mysteries unfolding!
87 What about Michael being the mystery dead person? He certainly didn't leave any good feelings from those he betrayed to leave. Maybe his guilt finally overwhelmed him and he hung himself.
I remember Jack saying in the funeral parlor that the dead man was neither friend or relative which makes me think he could have been Sawyer or as someone mentioned earlier in the thread Micheal.
Any chance the dead guy is Jacob?
Locke,Sawyer,Kate,Charlie, Claire,Sun,Jin and Hurley were all greatly troubled before the island. While on the island they seem to have set themselves right and made peace with their inner demons.
Kind of a weird turn around for Jack turning his life after the island into as miserable an existance as the other survivors lives were before the island.
http://tinyurl.com/2efxbo
We'll see if that works any better.
http://tinyurl.com/34dkce
NOT PENNY'S BOAT and then a line underneath it.
Let this be a lesson to all of you that just because one is facing imminent death that there is any reason for not respecting punctuation.
Beats the heck out of me.
I think it happened at Sandals Jamaica.
I think Penelope's answers might lie in some connection between her family companies and Dharma.
tooo looong!
I liked it even more a day after watching it ... I couldn't stop thinking about how messed up Jack was in the future.
I always liked Charlie, even when he was a jerk. I could never understand all the dislike thrown his way. He was flawed, so flawed, but he always managed to get himself pointed back in the right direction. Frankly I can't believe he's dead. I'm in denial about it, I guess. Hey, if Desmond and Locke and Eko can survive the hatch kerploding then Charlie can survive, um, his lungs filling with water .... okay, he's dead. Sigh. I'm not mad at the writers for killing him though; for a show like this to truly resonate some characters do need to die or otherwise have "endings" that aren't what the audience would want for them.
Perhaps I'm writing too angry when I should just be celebrating, but I just got so tired of defending the show. I just could never wrap my head around the lack of faith.
I can't either. I am baffled and annoyed by the comparisons to the X-files I see people make a lot. Just because one show burned the audience why assume another one will? Lost may have had a few wayward moments ( though I actually don't think it has ) but it's done nothing like the X-files started to do in the later years. Why let fear ruin a great show? Why decide beforehand that the final 48 episodes aren't going to resolve the major mysteries and story arcs?
This is such a heartbreaking scene, because we see in such a clear way that Jack has lost his soul to meaninglessness and despair.
I remember making the obvious remark during one of the middle flash-jacks that Jack was nuts. And it's clear why. He is a person that needs to find his purpose in something bigger than himself, something that challenges his own will and self to the limit: on the island he had that; back in the US he does not. He is reduced to attempting to go back to his old void-filler, fixing impossible back injuries, such as in his pathetic attempt to poach the other doctor's patient.
It's like being the World Series MVP in your rookie year and then being on a last-place team for the rest of your career. Maybe it's even like retirement for a lot of athletes. That feeling of being a part of Great Events is just gone, and nothing can replace it. This reminds me of Ben, too, because he seems to relish so much the mental challenge of "administering" the island.
Kate was closest to Jack, of anyone on the island. She was always the closest to him, knew him best, of anyone during those great events, so of course he reaches out to her. In a way they make the perfect tragic couple ... she's always running, but looking behind her, trying to escape something, while he's always running, looking ahead of him, looking for the next challenge. They're not the kind of people who could ever settle down and be happy.
I did find Charlie's death a little forced - though it was partially because he himself was forcing it, to fulfill his destiny, but it seemed entirely unnecessary. 51 is a great explanation for it and yet I still didn't buy it.
Other than that, though, I thought it was fantastic.
Don't know if this makes me disturbed in some way, but I was kind of glad to see Jack beat the snot out of Ben.
We're now slowly learning why Ben is so controlling and bent on keeping them from leaving... creepy.
I, too, was absolutely delighted by Hurley's rescue. That was brilliant.
I figured they didn't actually shoot Sayid and company but that part felt a little hard to believe. Not that I wasn't relieved, of course, and sometimes you have to just give the people a bit of a break from all the death.
My only real problem is the idea of waiting til 2008 to continue. That's as sadistic as any of Ben's plans! ;-)
I think it's ben in the casket. I know there's no reason to think that yet, but they've teased us on more than one occasion with the idea that Ben may not be totally evil. The whole "We're the good guys" thing, the sympathetic childhood, the various moments of vulnerability -- the spinal cancer, the concern about keeping his people from turning against him, the scene with Jacob, and now the fact that he was apparently right about Naomi being not what she appears. I'm not saying he's a sympathetic character -- yet. But they're laying the groundwork if they want to go in that direction.
Ben in the casket would also explain why no one else showed, why Sawyer is (apparently) still alive and living with Kate. I won't begin to guess at how the story would have to unfold for this to be the case -- I'll let the Lost writers write Lost. I'm just saying -- if we're guessing who's in the box, and we're assuming it's someone we know, then I'm going with Henry.
LOST has actually answered quite a lot of questions, very definitively. Now, the answers may not be expected, and may lead to more questions, but they're still answers.
ALIAS is a good example of a J.J. Abrams show that derailed off the tracks and ditched its mythology only to desperately try to tie it all back together. LOST has already shown that Cuse/Lindelof have learned from JJ's mistakes.
But, hey, if the show eventually takes us there, then props to them. Maybe they'll eventually become buddies. I just can't picture it.
I guess there is Jin, and now Jacob as well.
It didnt take long for 24 to do it.
Will Lost follow the same path?
Even granting that Naomi was lying about Flight 815 being found, with bodies - BTW: how did they make the DNA and/or dental records match up? - he and Walt's leaving the island never made sense to me. They go, get picked up, and go back home. How does he answer the inevitable questions? He and his son are the sole survivors of the crash, and somehow managed to find this little boat, which was fueled up, and they knew where to go to get into the shipping lanes to be rescued?
At the end, Jack said to Kate that he was tried of lying. Lying about what?
So many questions. Someone should start an FAQ that includes each 'mystery' and when its answer is revealed. (If something like this exists, forgive me - this is the first time I've read anything online about Lost theories.)
In the meantime, 2008 seems like its very far away.
And, having just re-watched the finale yesterday and catching up on these comments today, I'm going with the theory that the body in the casket is Jacob's. Reasoning:
1) The newspaper clipping shows a name of J___ ___antham, and I don't think you can dismiss that, as Lost is really tight on details. This limits the known candidates, based upon first names that start with J, to John Locke, James Ford (Sawyer's given name), Jin Kwon and Jacob, but you'd have to have an explanation for why the last name ends in "antham".
2) We don't know Jacob's last name
3) No one comes to the funeral/viewing, and it is in Southern California, so that pretty well rules out Jin.
4) Kate and Jack have contrasting feelings about the deceased. At present, Locke is the most ambiguous, and while Sawyer might do anything in the future to alienate Kate, it fits better with Jacob. Other corroboration:
- Jacob is neither a friend or relative of Jack.
- Jack's feeling of need to return to the island might link to his future sense of connection to Jacob.
- If it is revealed that Jacob truly does influence/direct Ben's monstrous behavior, Kate would likely develop animosity towards Jacob.
- If there is an ounce of truth to Ben's (and Locke's) foretelling of an invasion of sorts, Jacob may be compelled to leave the island, too.
- We know so little about Jacob that just about anything would fit.
So there you go. I guess we'll find this all out by June of 2010, when Lost concludes.
Isn't there a 100 episode requirement/guideline? Lost won't reach 100 episodes until late in the fifth season. And that counts two-hour episodes as two.
(24 hours in the first season, 24 in the second, 23 in the third, 16 in the fourth, 16 in the fifth...)
In the casket is Sawyer I think . But, again, I don't think that "ending" will happen.
My reason is cause: Jack kept saying to Kate he is sick of lying. This is why I belive that it's a flash back.
The line that sticks out the most to me in all of LOST was from season one when Desmond first met Jack and said, see ya in another lifetime brotha. I think that ties into it. The time travel, the butterfly effect.
I think desmond will be much, much more important later on.
So Jack has to get back in order to change the outcome of the future. Or he has to change the present (on the island) so that that is not the future that happens. This may happen for him, or he may make it happen. I belive what they showed us is what would happen if they get rescued as it seems they are about to. Of course they wont. And then that future will all change.
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