Baseball Toaster was unplugged on February 4, 2009.
Moments before the third season of The Office began, I realized I would have to dial down my expectations. The second season ended on such a high note, and rewatching episodes over the summer (something I rarely do with shows these days) only made me more appreciative of its brilliance.
Watching the Office webisodes online over the summer, however, served as a reminder of the show's fallibility. To be sure, the webisodes were never meant to be a full-fledged version of the show on any level, but for the most part, I think one would have to say they were nothing more than an acceptable diversion or time-kill. They were forgettable.
Nevertheless, televised Season 3 opened with a solid episode - neither a classic nor a letdown, but one that again showed the series' sophistication in attacking tricky subjects.
The Jim-Pam-Roy storyline took the next step, and once more we find that The Office can plot a love story as well as any show on television. For the first time, we saw a side of Roy, the vulnerable side, that helped explain Pam's interest in him in the first place - addressing perhaps the show's greatest weakness right off the bat. Jim has handled his current fate with an endearing maturity without losing his sense of humor, and of course, you still just want to cry for Pam, or at least get her the therapy she needs. Well done.
On the work front, The Office took on a plot about Oscar coming (or being pushed out) of the closet, and for all the sweetness of Jim and Pam, reminded us that the show will always be about incompetent people and uncomfortable situations. In the face of the possibility that the show might try to reel in Michael in hopes of making him more tolerable to a wider audience, The Office presented him at perhaps his most distasteful - and at the same time, revealed even more of his inner torture and confusion. Steve Carell, by now we know, is a real actor disguised as a silly comedian, and Oscar Nunez (Oscar) offered outstanding work as well.
Does any show get more comedy out of pain, or vice versa? It's really something.
Also, you have Dwight getting that salesman of the year recognition, the fact that Jim is thoroughly competent and worthy of promotion. The accounting staff is competent. Etc.
At the show's beginnings, there was worry about cutbacks and closures, but every little hint since then has been positive. I sense that they will continue to tolerate Michael as long as his branch does well - and/or as long as Jan has her dysfunctional crush on hm.
Regarding Michael being the boss, remember that when all the other regional bosses got together some of them were even worse.
For me, I just loved the one line where the female employee in Jim's new office says to the camera "Jim? He keeps making these faces at the camera..."
It was like an aside to an aside.
The bad news is I just got back from Sharper Image and gadar is still out of stock.
The only evidence that runs contrary to this notion is one remark I recall when Jan tells him that his branch is fourth (out of five) in the region (and he responds "hey, top 80%!")
I'd also note that I re-watched a handful of episodes from this summer and found the show more brilliant in the second viewings. The shock-value had worn off and the humor was just more apparent. Plus, I started noticing how the camerawork itself was more than just a reminder that it is a "documentary", but also instrumental in telling the story: Ed Helms' character is having a caniption over Jim's reprise of the office-equipment-in-jello gag, and the camera focuses on Jim, who waves off the camera with a disapproving look, and then the camera zooms in more on Jim. Funny!
A great show.
But for Jon and the lively boys of DT, I'd never have watched the show in the first place, and so I wouldn't be out two bucks. So, this is a little bittersweet, now.
Angela's new haircut makes her look like an unchaste woman. Which is excellent.
I thought the episode was understated yet great. Glad they didn't go all out in the first episode, and are going to let everything stew for awhile. The company's future will definitely be an ongoing storyline, as will Jan's anger at Michael.
That's a great point. I know Larry David and Jerry Seinfeld were afraid to do romance when they were writing their show. Most shows don't do that great of a job of blending comedy and a a good love story. The Office does a great job.
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